Showing posts with label Christopher Fowler. Show all posts
Showing posts with label Christopher Fowler. Show all posts

Thursday, April 17, 2014

Six Books Recently Read


SIDNEY CHAMBERS AND THE SHADOW OF DEATH by James Runcie.

Thanks to Nan at Letters From Hill Farm for her introduction to Canon Sidney Chambers, the quietly intriguing 'hero' of Runcie's evocative tales. This was just the sort of thing I happened to be in the mood for. (In truth I am generally eager to read these sorts of gently told mysteries which are, really, lately, few and far between.)

Though some of the puzzles unraveled by the good Canon are violent in nature (you can't get more violent than murder), the stories are really about the man himself and how the good Canon goes about dividing his time as a soul-searching man of the cloth and a clue-searching detective. The time and place is 1950's Grantchester, Cambridgeshire (and occasionally London and even Germany). Cambridge University is just a stone's throw away and that ambiance, though occasionally one of quiet menace, is of a busy, sheltered university center with all its induced prejudices, contradictions and intrigue. The stoies are perfect for a late night comfortable read. In fact, I read both of the Sidney Chambers books over three nights, though I did pause to linger lest I go through them TOO quickly.


SIDNEY CHAMBERS AND THE PERILS OF THE NIGHT by James Runcie

The second book in this new and very beguiling series featuring Canon Sidney Chambers, full time Vicar of his church and congregation and part time detective. With the help of his close friend Inspector Keating (with whom Sidney has a weekly pub date to play backgammon and drink a couple of pints), the good Canon is usually 'in' on the latest Cambridge mystery. Keating is only occasionally reluctant to use the Canon's keen mind and deductive abilities.

These books are a loving though clear-headed (and inventive) look back at times long gone. The atmosphere of a claustrophobic university town is perfectly captured by the author and his characterizations make for the sorts of people one would want to know and live side by side with and that's about as good a compliment - as a reader - I can make to a writer.

In this second book, there's spying and secrets and an unexpected incarceration in an East German jail - don't forget that Cambridge after the war was a hotbed of espionage recruitment. There's also a long term cricket match with all the cricket minutiae one could want - unfortunately I don't understand word one about cricket - but despite that, I enjoyed Sidney's enthusiasm for the game and didn't skim the chapter at all.

Both books are made up of six linked short stories each, with recurring characters and setting. Both books are a very special look back in time to a world getting a grip on itself after a shattering world war.



THE PATIENT'S EYES by David Pirie

The exact opposite of the Sidney Chambers books in nature and grim deed, this darkly absorbing newish series (three books along) by David Pirie, another author I'd never heard of, tells the story of a young and impoverished Dr. Arthur Conan Doyle (before he took to the writing of the Holmes tales) and his mentor and teacher Dr. Joseph Bell of Edinburgh University.

The brilliant Joseph Bell, highly skilled at deductive reasoning, is said to have been the model for Sherlock Holmes and indeed, the second book refers to 'the strange beginnings of Sherlock Holmes' as a sub-title, in case the reader wasn't aware. I looked askance at these stories since I am not completely fond of Holmes pastiches (unless they are exceedingly well done) but since these books don't technically feature Holmes but his creator, I took the plunge.

Doyle, just out of university, opens his first medical practice with the questionable help of an old university chum and fellow doctor. One of his patients is an enigmatic young woman named Heather Grace. She is an orphan whose parents were brutally murdered years before and who has been lately bothered by eye trouble, not to mention that she thinks she's being followed as she cycles her way daily along a lonely country road near her home. Of course here we get a glimpse of the Holmes story which Doyle will later write and title, The Solitary Cyclist.

There are other hints woven throughout both books which foretell later Holmes tales, hints especially intriguing to those of us familiar with the Holmes canon. Since this is fiction the author is free to invent various sorts of crimes and murderous villains for the real-life Bell and Doyle to encounter.

Behind these dark doings, there are two underlying tragedies: first, the continued incarceration in a mad house of Arthur Conan Doyle's uncontrollably alcoholic father and second, the memory of Doyle's lost love - a young woman brutally murdered (I think in the second book, THE NIGHT CALLS, which I haven't read yet simply because my library doesn't have it) by the vicious sociopath Thomas Neill Cream (1850 - 1892). Cream was a real person, a serial killer who used poisons as his weapon of choice.

The settings are Edinburgh and Victorian England, but far removed from the niceties of country manor living and afternoon tea. These are grim and often ghastly tales which kept me reading (a bit uneasily) late into the night.


THE DARK WATER by David Pirie

Here we meet the odious Thomas Neill Cream, mass murderer and nemesis of young doctor Doyle. In fact, the book begins with Doyle in harrowing captivity. How he escapes and makes for his mentor Dr. Bell who at first has a hard time believing Doyle's outlandish story, makes for a grim and daunting sequence in and of itself. But there will be more.

Soon Doyle and the brilliant Bell begin their own personal man hunt for a merciless killer who has apparently vanished yet again. Evidence against Cream is non-existent hence their reluctance to involve the actual police. Doyle and Bell are on their own. (More or less.) Doyle very much a Watson to Bell's Holmes.

The setting in the latter half of the book is one of the most anguished areas of Great Britain: Dunwich in the English county of Suffolk. Once a thriving seaport with many hundreds of residents, it was by Doyle's time a wretched, secluded and lonely place with very few actual inhabitants. Sunk into the sea by storms over centuries, and riddled with tales of witches, runes and dark doings, this seems the perfect place to hunt down an unspeakable villain.


THE INVISIBLE CODE by Christopher Fowler

If you're not familiar with this amazing series, then drop everything and make yourself familiar as quickly as you possibly can. I know I tend to overuse the word 'brilliant' but really I can't think of another word to describe this incredibly rich and engaging series. It is so different, so uniquely Christopher Fowler, so rapturous in its love of the minutiae of history (London and its environs) that I can't liken it to anything else being written today.

THE INVISIBLE CODE is the tenth in the series featuring and unlikely pair of policemen: the extraordinarily cranky, sartorially challenged, octogenarian detective Arthur Bryant and his cohort, the slightly younger, cleaner and more sartorially elegant John May. Both are members of London's Peculiar Crimes Unit which is exactly what its name implies. Peculiar and eccentric go hand in hand in this series known for outlandish, inventive and violent criminal happenings.

This is a series that probably benefits from being read from the beginning, although not necessarily. It's all up to you. Though the first book in the series, FULL DARK HOUSE, is a total WOW! And you shouldn't miss it.

The setting is modern day England, but the story telling and ambience seem of another time. I read and often forget it's the London of today. That's what I love most about these stories. Oh, and the characters too, of course. When I'm not smiling or laughing out loud, I'm recoiling from the ghastly doings that some of Fowler's villains get up to. It's an often disconcerting combo of emotions, but damn if Fowler doesn't make it all work.

This time out a young woman alone in a church literally drops dead. No visible signs of foul play.

Then - Bryant and May's arch enemy, their saturnine boss Oscar Kasavian, (a man who has the power and indeed has threatened to disband the PCU and force the retirement of its two nominal heads) asks for their help. His wife has been acting oddly. 

(This tale by the way features two of the most sinister children it has ever been my misfortune to meet.)

Oh, and Crippen the office cat who has heretofore been assumed to be a male, is pregnant.


THE SOUND AND THE FURRY by Spencer Quinn

Another delightful and 'world unto its own' mystery from the prolific imagination of Spencer Quinn. Hard to explain this series without giving the impression that it's just another 'cute' gimmick. Believe me it's not. Here's the thing: the series is told from the point of view of a dog named Chet. But don't worry too much about it, jump right in. You'll get it. Don't be misled. This is as well-written a series as you will ever read. There is nothing 'cute' about it.

Chet's partner is Bernie Little (the smartest human in the room), soulful private eye in the Raymond Chandler mode. Sort of.

Somehow, the author has learned to speak the language of dogs (as we imagine their interior lives to be) and makes the whole thing perfectly plausible and occasionally hilarious. There is also the underlying warmth of Chet's touching all encompassing, all forgiving love for his human, Bernie.

Normally set in the 'wilds' of Arizona where Bernie and Chet spend most of their time rousting out unfaithful hubbies and/or wives and other assorted miscreants, this time the duo have a long distance job. They're headed to the bayous of Louisiana on the trail of a missing nephew, the only brainy member of a lamentably lack-witted family. In fact, Bernie has been hired by a member of that family, a guy he and Chet sent to prison.

There is a sequence in this book where Chet is separated from Bernie, caught up in a net by the bad guys and tossed into a river which is the domain of a huge alligator - hard to read those few pages which deal with Chet's desperate struggle to survive. Absolutely brilliant. There, I've used that word again.

Thursday, December 13, 2012

Review: THE MEMORY OF BLOOD by Christopher Fowler


This is the ninth Peculiar Crimes Unit thriller by Christopher Fowler. The books' stars are, of course, Bryant and May, two old cop-codgers (way past retirement age) who run (metaphorically speaking) rings around the regular London constabulary - they are the chief investigators of the peculiarly named Peculiar Crimes Unit. Arthur Bryant is the older of the two and the scruffier - his clothing (most of it tweedy and of WWII era) is rarely without a noxious food stain or two and while moths don't actually fly out of his woolly worn out scarf, its probably because they're dozing after a good meal. Sartorially Bryant is a wreck.

Though the drastically under-funded Peculiar Crimes Unit is held in contempt by Scotland Yard - et al - Bryant is tolerated (barely) by 'officialdom' because he knows where certain skeletons are buried AND he is brilliant - the PCU's case record shows that much. Bryant's knowledge of London's colorful history, criminal and otherwise, is encyclopedic. With fiendish glee, he is able to use that knowledge, often running afar and afoul on tangents which make no sense to anyone but himself, to solve the bizarre murders which land on the PCU's dilapidated doorstep. (Renovations are in progress to fix up an old building - finally - for the PCU's official use.)

Bryan's partner John May, in appearance, is Bryan's exact opposite. Only a few years younger than Bryant, sartorially Bryant is splendid. May has given up bemoaning his partner's rag-tag appearance since obviously, after so many years, it all falls on deaf ears. Literally. Bryant conveniently and often will turn down his hearing aid. Bryant also has dentures, but the less said about that, the better.

May, a widower (or maybe he's long divorced), is a bit of an old skirt-chaser and currently has a girlfriend who is working temporarily in France - don't know whether they'll get back together - don't care. May is the perfect foil for Bryant's eccentricities even if he has given up trying to corral Bryant when the elder man runs off on that tangent I mentioned.

Bryant has NO social skills whatsoever and is often seen stomping all over a witness's (aka potential suspect) delicate sensibilities. It's then up to May to point out this fact to the unaware Bryant. Together they make a mighty fine pair of sleuths, though it's Bryant who does most of the sleuthing and May who does the necessary politicking. They are old friends, their relationship based on ancient mutual understandings and respect for each other's quirks.

The series' attraction, for me at least, is this whole idea that though the stories take place in modern day London, it might just as well be sixty years ago. Computers and gadgetry are used, but rarely by Bryant who has a habit of tucking his phone in a ratty pocket filled with melting caramels or other assorted foodstuffs. The descriptions, the shadowy settings, the whole darkly gothic aura of the series (including its two uniquely fashioned main characters) is old-school peculiar - that's what I love most about it. Author Christopher Fowler is also a horror writer, so perhaps the 'peculiarites' of these stories should come as no surprise. Though they did to me since I'd never read any other Fowler books.

These are most definitely NOT cozies, by the way. The crimes are bizarre and very often grisly. But Christopher Fowler is such a damn fine writer with such an inventive mind, I just follow where he leads even if most of the time, I have no clue.

The current case is especially daunting as it involves the 'locked room' murder of a child by, supposedly, a puppet. Set in the world of an odious powerfully rich man who collects Punch and Judy puppets and marionettes, the first murder occurs during a cocktail party in which all the suspects (of course) gather to celebrate the opening of a play currently being produced by said powerfully rich man.

We get to learn an awful lot of Punch and Judy historical minutiae by way of Bryant running amok hither and yon, trying to learn how the killer's mind works - I found this fascinating. Perhaps because I have a minutiae sort of mind. Who knew that Punch and Judy represent anarchy?

There is also, concurrently, another case involving the murder of a young woman who is transcribing Arthur Bryant's memoirs (in which he promises to divulge all), setting up the next book by leaving that particular denouement vague and open-ended. All we are left with there is the thought that in their next case Bryant and May will risk all. But don't they always? The PCU is usually on the verge of being shut down - if only they weren't so successful at catching killers.

Though this is not the best Bryant and May book, the killer's identity and the murderous 'how-to' seem a little too contrived even for a PCU case, it is still a worthy entry in a terrific series that I've read from the very beginning.

I suggest reading FULL DARK HOUSE (if you haven't), the first Bryant and May, which will set you up nicely for the rest.


Monday, October 25, 2010

Monday Review: BRYANT AND MAY OFF THE RAILS by Christopher Fowler

I've been meaning to write about Bryant and May but wanted to wait until I'd read Fowler's latest, the 8th in a very odd series of books - odd in a good way. From the first I have been under the spell of the eccentric Mr. Bryant and Mr. May, two old codgers basically in charge of the British Home Office's Peculiar Crimes Unit. (The hapless Raymond Land is only technically/temporarily in charge and has been for years - official limbo.) Only in England, could they come up with such a peculiarly named police unit (well, kind of police, that's never really been defined in any common sense way since The Met never seems to come into any of it) that is supposed to solve the sorts of crimes that are not only peculiar, but crimes that might affect public morale in some vague, unspecified way. Maybe crimes that might drive the British public into some sort of emotional frenzy? The very idea is funny in and of itself.

For the first two or three books in the series, I thought I was reading fantasy realism, and truth be told, I still think it. Mr. Bryant's rambling rambles on ancient British history and the evil archaeological hot spots lurking throughout London do cast a spell and make one wonder. Not to mention the extreme ages of both protagonists, I mean, Mr. Bryant is in his eighties and still on active duty. Mr. May is only a few years younger. Are we talking realism here? Nope. Though the fantasy aspect of the books turn out to be explainable in the end - well, maybe we should call the books explainable fantasy. That might do it.

There's even a sort of steam punky element to these books which is harder to define. All I can say is that Bryant and May seem to belong back in the age of steam engines and gas light, yet somehow Christopher Fowler has resurrected them in a modern day London that hardly seems modern at all. Two fractious old men to do battle with the evil and the bizarre.

I can't reveal much about Full Dark House, the first book in the series without giving away a helluva surprise that comes about midway in the book. So just take it from me: read it and you will be glad.

Okay, now to the 8th book, Bryant and May Off the Rails, which is kind of a sequel to the last book, Bryant and May on the Loose, in that Mr. Fox, the serial killer, attacked and killed a cop, escaped from a locked room, and is now roaming the London underground. To make matters worse for the Unit, another series of murders seems to have begun with the death of a make-up sales girl flung down a flight of underground steps. Add to this, a giant bat (or beetle) seen lurking in the unused tunnels, urban legends run amok, a group of London students with deep, dark secrets and a possible anarchist organization and you have a nicely flammable mix.

The Peculiar Crimes Unit is not loved by anyone except those that work in it and they only love it now and then. Basically the Home Office has spent the last few books attempting to rid itself of the pesky Bryant and May and their hardscrabble minions. But, through a bit of good fortune and some political connections, the unit has been given a reprieve - yet again. The members are even back on salary - always a good thing. Though their new offices in an abandoned old building leave very much to be desired.

But, here's the catch, there's ALWAYS a catch: in order to maintain their new status, the Unit must solve the underground murders and capture Mr. Fox before a certain deadline a week away. Same old/same old. Life NEVER runs smoothly for the Peculiar Crimes Unit.

The emotional strength of this series rests solely on the frail shoulders of Mr. Bryant and Mr. May, two older (well, one old and one older) men as different from each other as night and day.

Friends and colleagues for years - Bryant with his false teeth, disreputable clothes often held together with safety pins and the elegant May with his impeccable fashion sense and eye for the ladies - they understand and like each other because, basically, each supplies what the other is missing. especially when it comes to how they view the world and investigate crime.

My third favorite character in the series is the aforementioned Raymond Land, a poor, befuddled soul who has been stripped of any power and placed nominally in charge - temporarily. But since the 'temporarily' part has been going on for years, the guy can't be blamed for being a bit frustrated with his situation AND the bizarre working conditions, not to mention the various eccentrics on his 'staff'.

The only quibble or two I have is this: Why aren't these people armed when they're running all over London and its environs looking for killers? And why doesn't the Met back them up when it's obvious they're onto something important: like protecting the public from a serial killer?

The machinations of the British police have never been more vague than they are in these books, but maybe they have to be to make the thing work.

If you buy into this from the first, you will be hooked as I was/am.

One Other Thing:
I've read on Christopher Fowler's blog that a graphic novelization of the Bryant and May adventures is now in the sketching and writing stage. I say: hooray! AND possibly a tv show.
Another hooray!

Read more here.