Showing posts with label Masterpiece Mystery. Show all posts
Showing posts with label Masterpiece Mystery. Show all posts

Friday, October 31, 2014

A Quick Review: DEATH COMES TO PEMBERLEY - PBS Masterpiece Mystery


Just finished watching Episode One on the PBS (available until Nov. 2nd, I think) website. DEATH COMES TO PEMBERLEY is based on the book by mystery great P.D. James. A book I'd very eagerly looked forward to because, after all, P.D. James created the Commander Adam Dalgliesh books, ipso-facto, this Jane Austen pastiche had to be good.

Boy was I wrong. The book is dreadful.So bad I couldn't even finish it. But I won't go into details here. I wrote about my disappointment earlier this year and that's enough.

Somehow I though the television film would have to be better than the book. Right? PBS. Masterpiece Mystery. Matthew Rhys. Need I say more?

Gee whiz, I was wrong again.

If this first episode is anything to go by, I won't be watching the second or the third. This is dreary stuff, limp and uninspired, even hard to understand. The production is abysmally cast with people whose accents don't seem to be quite the proper thing. Several of them sound almost American in tone and we know they are Brits. The dialogue has no crispness, no Austen tone at all. This is Regency England or at least, a few years past the Regency - mid-19th century. So what gives?

The casting is so entirely wrong. Even Matthew Rhys seems not able to live up to Pemberley, that glorious house. Actually, the house itself is the best thing about the production. The camera-work is wonderful too and the scenery. But ladies and gents, that's not enough.

In comparison to the superb PRIDE AND PREJUDICE (1995) starring Colin Firth and Jennifer Ehle and an incredibly fine cast, this production is just lame. There I've said it. Lame and boring.

Anna Maxwell Martin (who is wonderful in THE BLETCHLEY CIRCLE) is entirely miscast, lost in the part of Elizabeth Bennett Darcy. She looks haggard, not at all lovely, her costumes so ill-fitted they make her look less like the lady of the manor and more like a downstairs servant. In one scene she is wearing this dreary hat that any housemaid might wear and wearing it askew - didn't someone notice? She looks NOTHING like the Elizabeth Bennett so wonderfully played by Jennifer Ehle. I'm talking about the character's style and zest. In comparison, this Elizabeth Bennett looks like a washerwoman.

But the rest of the lackluster cast including the Bennett mother, father and sisters are no better. Who are these people? You'll note that I don't bother to name names. One is hard put to differentiate between them.

Matthew Rhys as Darcy is nice to look at but a bit too rugged in my opinion, not refined enough, and hardly seems in command of his surroundings.

What ever happened to the delightful Miss Bennett? Has marriage to Darcy turned her into a drudge?  From the first she appears to be wearing the same ugly green dress for an entire day - morning to night, even though company is expected - a ball is planned at Pemberley.

 Later, sister Jane shows up in an outfit almost the same color as Liz's - they blend into each other - something that I would have thought was a costume design no-no. The men's neckcloths and linen appear damp and soiled and not at all the sort of thing that would have been worn by people of this social class. Yes, it's the country, but really, would they have all looked so sloppy?

What the heck happened here? Did they run out of money? Attention to detail, the niceties of costume and language are the main reasons we love these sorts of things. When all that is missing all that's left is soap opera  - and not very good soap opera at that. Oh yeah and there's a murder. But the guy who's killed is no one we have any emotional interest in. So from the first we're hampered by lack of connection.

I simply had to write this tonight. I'm sorry to be so harsh, but I was SO disappointed. I hate when that happens.

Tuesday, July 15, 2014

Tuesday (Not so) Forgotten Film and/or Television: FOYLE'S WAR - Series 8 - Starring Michael Kitchen and Honeysuckle Weeks


I don't know how certain series do it, but do it they do: keep getting better and better, I mean. FOYLE'S WAR is a long running ITV series created by Anthony Horowitz and begun all the way back in 2002. The ambience was, then, the approach to WWII in England followed by the turbulent war years. Lots of policing to be done: murder doesn't stop for war.


The indescribably wonderful Michael Kitchen (where do the Brits come up with these intriguing actors?) stars as Chief Superintendent Christopher Foyle, a widower, a decent man, and a stalwart, intuitive and very canny cop, whose territory, in the earlier series, is the green countryside of Hastings, Sussex, England. (You know how the hedgerows of England fairly reek with murder and chicanery.)

Honeysuckle Weeks, Anthony Howell and Michael Kitchen

Honeysuckle Weeks (she of the adorable name and equally adorable mien) also returns as Foyle's young driver and kind of, sort of, fellow cop. In the earlier series, Foyle had an associate, a wounded vet played by Anthony Howell, but so far he doesn't seem to be in the new series 8, currently available on Netflix.

Hadn't even realized the series had returned until recently and now it seems that there's another three episodes in the works for next year. Great news for Foyle Fan Girls (of which I am one).

It's 1946 and the fighting war is technically over, but as one of the characters pronounces, '...now the real war begins.' Meaning of course, the cut-throat espionage, reconstruction and the Soviet menace. As Sam says in one scene "We did win the war didn't we?" She's exasperated by bread rationing and other economic privations, but the question speaks volumes about life in this 'new' England.

Foyle has been roped in (reluctantly) to serve with MI5 who recognize Foyle's intuitive genius for this sort of work - even if he is a bit of a loose cannon. In the meantime, Samantha has married a nice young man who is running for local government. But when Foyle, in the course of his first case with the intelligence agency (a case which hits very close to home), meets up with Sam once again - as a suspect -  she is soon back in her old role at Foyle's side.


Spies are everywhere in this often bleak, post war England and now it's up to Foyle and MI5 to settle their hash and keep the country safe from communism. The country couldn't be in better hands.

Since it's Tuesday, don't forget to check in at Todd's blog, Sweet Freedom (he's running a little late today) to see what other films, television and/or whatnot other bloggers are talking about today.

A bit off youtube about Michael Kitchen in his role as Foyle: