It's Under-appreciated or Forgotten Music Today

I didn't get the memo that it was Under-appreciated Music Day today, but I'm quick on the zig-zag. Besides, I didn't have my Friday's Forgotten Book post written up yet and was sitting here wondering what to write about. It's been THAT kind of week. Lazy. Sleepy. Relaxing.

All of today's blog links are gathered over at Todd Mason's blog, SWEET FREEDOM. Don't forget to go take a look and listen.

On the spur of the moment, I've come up with my own favorite under-appreciated music to talk about. I'm including a few youtube links at the bottom of the post which will take you to various sections of John Williams' magnificent film score for SUPERMAN - my entry in today's under-appreciated or forgotten music day.

This is my favorite John Williams movie score - not to mention, his own personal favorite - one I listen to all the time, especially when I'm needing a bump on the boot to get things working - art wise.

Of all of Williams' superb scores (among them, JAWS, STAR WARS, JURASSIC PARK,  RAIDERS OF THE LOST ARK, YOUNG SHERLOCK HOLMES, EMPIRE OF THE SUN, E.T., CLOSE ENCOUNTERS, etc. etc. etc.) SUPERMAN still has the most resonance with me because of it's perfectly on pitch emotional variety. When needed, there's the stirring, rock/em-sock/em full orchestra thunderclap in the more explosive scenes with Superman in the city and/or saving the world.

But in the early half of the film (after the thunderous musical accompaniment to the destruction of Krypton), we get the emotional farmland/heartland music of the young super child, super boy, super teen.

Phyllis Thaxter's close-up through the screen door as 'her' son leaves to find his destiny is heart wrenching, as is the music that accompanies it.

John Williams musically captures the vastness of the early Midwestern setting. It is a joy to listen to.

Of course, the energetic and stirring Superman theme is just as good in its own forceful way.

It's great driving music, by the by.

Later in the film we get a terrific thing (called March of the Villains on the CD.) which, if I'm remembering correctly, accompanies Ned Beatty (Lex Luthor's incompetent henchman Otis) as he thumps along the street, oblivious.

Of course, very little can compare to the 'flying' theme, when Superman takes Lois on a special flight around the skies of NYC. It is definitely a Big Sigh moment. Absolutely gorgeous music. Williams captures the movement of flying, the lightness - the freedom of it.

I've listened to this score since the 1978 film debuted (was it really that long ago?) and I've never tired of it. I own several of John Williams' memorable film scores, but SUPERMAN still reigns musically supreme for me. Far as I'm concerned, the man is an incomparable genius.

Okay, the embeds didn't work. Obviously I'm still doing something wrong. So here are the links.

http://www.youtube.com/watch?v=AGUyNy07ZYg&feature=related  The Main Theme

http://www.youtube.com/watch?v=gXYj8nChItw&feature=related  Leaving Home

http://www.youtube.com/watch?v=qD0RofPgoo8&feature=related  Love (Flying) Theme

http://www.youtube.com/watch?v=moA6RGE_MzM&feature=related  March of the Villains

Ah, technology, how great thou art.

Composer/conductor John Williams.

Just for a lark: Whom Do You Prefer?

The new Superman is Henry Cavill.
 He's okay. Good but not great.

 I much prefer Brandon Routh from a few years ago in SUPERMAN RETURNS, though the screenplay left a lot to be desired and Kevin Spacey (whom I normally like) RUINED the film.

But, for me, the one and only Christopher Reeve was - is - Superman.

Not George Reeves. He was okay way back when we didn't know any better.

But I do love Max Fleischer's early graphic Superman cartoons to this day.

Who do you like best? Will you go see the new SUPERMAN movie?