FFB: Favorite Books of the Year

N.C. Wyeth (1882 - 1945)

A list of books not necessarily published in 2016 (in fact all but two weren't) read by yours truly for the first time in this past year. AND not necessarily ALL forgotten or overlooked (though several of them qualify). But it's Friday, and this seemed the appropriate time, date and moment.

I don't include any re-reading of past favorites in this current year-end list since those titles were already listed and accounted for in years past.

I wish I could link you to my previous 'Favorites' lists, but my blog linking apparatus still isn't working the way it should. However you may be able to do it from your end if you are so inclined. I've given up trying to figure out what's what with Google. Life's too short.

So without any further muss or fuss, here is my list of favorites for 2016:

1) EVERYBODY'S FOOL (2016) by Richard Russo

I am a huge fan of Russo's work - he is one of the few contemporary 'literature' writers I read probably because of his natural ability to tell a story, his often laugh-out-loud humor and his slightly jaundiced view of a world he knows very well. But don't get me wrong, Russo loves these characters - it's just that he sees right through them. And somehow he makes us love them too even as we see how very far from perfect they are.

Though this is a sequel, it isn't necessary to have read NOBODY'S FOOL (1993), the book which first introduced us to Donald Sullivan aka Sully, the middle-aged n'er do well 'hero' and his misanthropic circle of friends and acquaintances. I had read it years ago but to tell the truth, I'd forgotten most of it - still I had no trouble jumping right into events which take place ten years after those in the first book. Sully is now 70 and suffering the aches and pains of decrepitude. We're back in upstate New York, in the small depressed town of Bath where nothing much ever happens and even when it does, it's never to the benefit of the town's sad-sack citizenry.

T.C. Boyle's review of EVERYBODY'S FOOL from the NY Times.

THE HOUSE OF FOUR WINDS (1935) by John Buchan

A 'Ruritania' style romance and the final book in the Dickson McCunn trilogy of adventure stories set in an Europe that is gone forever, if it ever existed. Next to HUNTINGTOWER (the brilliant first novel in the series) this is one of my all time favorite books. (The second installment in the series, CASTLE GAY, is good, but doesn't really hold a candle to the first or last.)

Dickson McCunn, the retired but wealthy Scottish grocer with a romantic heart, is back again and ready, despite 'old age' aches and pains, for another adventure. The street boys from Glasgow are also back all grown up: Jaikie on a walking tour and Dougal on assignment for his newspaper. McCunn is headed to a German spa for his health but that won't stop him getting side-lined. Several other characters left over from CASTLE GAY will also show up and eventually all will get involved in a plot to restore the monarchy of Evallonia, a mythical middle-European country. Impossibly far-fetched I know, but oh so wonderful.

3) SUMMERLAND (2002) by Michael Chabon

A friend handed me this book and said read it. So I did. Meant for young readers (10 and up), but not so you'd notice. This is a wonderfully sharp-eyed fantasy about baseball, the meaning of life and the possible end of the world as we know it. (Seems highly appropriate and prescient.) Eleven year old Ethan Feld is the worst baseball player in the history of the game, but he is the 'chosen one' as far as saving the world from the evil machinations of the dreadful baseball loving Coyote and his wicked minions. The author draws from American mythology and legends in his first book for young readers which, of course, can be read and enjoyed by everyone and anyone of any age whatsoever.

Kirkus Review of SUMMERLAND

4) THE LAST POLICEMAN (2012) by Ben H. Winters

A dystopian science fiction/mystery tour de force for those of us who do not ordinarily like dystopian fare (as, for that matter, is SUMMERLAND, sort of - see above). The world is on an inevitable collision course with a giant asteroid and most humans are handling it as one would expect. Social and economic disorder reigns, corporations have closed up shop, most workers see no point in continuing in their jobs, and food grows scarcer and scarcer. As the days tick-tock away, looting and suicides become common, 'survivalists' head for the hills, all hope is gone and only the military and police have fuel supplies as frightened families hunker down and wait for the end. Hank Palace is a young detective in New Hampshire struggling to do his job even on the brink of annihilation. When murder occurs, he is determined to catch a killer while also dealing with family problems: a sister who has become involved with a cult which believes that they have the science to save the world.

The second and third installments of the trilogy, COUNTDOWN CITY and WORLD OF TROUBLE are also excellent and highly recommended by yours truly. I would read all three at a clip. Terrific stuff with very little, if any. letdown as the trilogy comes to its predestined end.

5) ANNA, WHERE ARE YOU? (1951) by Patricia Wentworth

A moody, engrossing Miss Silver mystery and one I cannot ever remember reading before. When Patricia Wentworth was at the top of her form, she was really quite good even if what she was writing was cozy and derivative and highly improbable - not that any of that matters if the plotting, setting and characterizations work and the sense of menace is high. As it is is this sinister installment.

When Thomasina Elliott's old school friend Anna Ball stops writing to her, Thomasina suspects that something is wrong. She knows that she is Anna's only real friend, someone to whom Anna would regularly take the time to write her latest news simply because there was no one else. It had been that way for the many years the two girls had known each other. So when Thomasina stops hearing from Anna after learning she had recently quit one job and been offered a new one, Thomasina worries. Though her friend Peter scoffs at her apprehension, Thomasina insists on doing something.

Enter Miss Silver, elderly spinster and private detective.

6) THE FOLD (2015) by Peter Clines

Terrific science fiction which I found almost impossible to put down. Though it kind of/almost loses its way near the end, it still packs a wallop most especially because of its thrilling mystery-like 'what happens next' aspect and the appeal of an engaging main character with a very rare eidetic memory. Mike Erikson has the ability to remember everything he sees, reads or hears. Hard to deal with as you may imagine, which is why he prefers to remain a low-key high school teacher in an out of the way New England town.

But when Mike's friend (the head of a hush-hush government program) cajoles him into traveling to California for a looksee at a project involving a working teleportation device, little does Mike know that his talents will be soon called upon to save the world from an onslaught of alternate universes. Hard to explain, but it all makes a sort of sense once you get into the spirit of the thing. Hey, I'm no scientist, but I still enjoyed the idea of leaping about from one reality to another - side by side travel through a 'fold' in time. (Even if I couldn't make heads or tails of the actuality of the thing.) It's time travel but not. As I said, hard to explain. Just read the book.

It's a fun read and not meant, I think, to be taken too seriously.

7) THE PROMISE (2015) by Robert Crais

Those of you familiar with my reading likes will know that I am an unabashed Robert Crais fan-girl. I love his Elvis Cole and Joe Pike thrillers and consider him to be one of the best (if not the best) American thriller writer working today. Certainly no one else can match Crais for macabre sense of humor amidst carnage, something which shouldn't work, but does. Mostly because of Crais' confident sense of who his main characters are and how their psyches work. Elvis and Joe are heroic in the truest sense of the word and their stories are, at heart, about the workings of a close friendship.

Here in the 16th book in the long-running series, Elvis and Joe are joined by L.A. canine officer Scott James and his partner, Maggie, a German Shepherd (fresh from their own previous book, SUSPECT).

Approaching the hunt for a heartless and very dangerous killer from two different directions and hindered by a string of lies not the least of which is from Elvis' secretive client, all four protagonists eventually join forces on the trail of a vengeful murderer fanatically eager to eliminate the only witness to a recent crime: Officer Scott James.

8) GREY MASK (1928) by Patricia Wentworth

The first Miss Silver mystery and one of the author's best - an incredible tale of a sinister masked miscreant and a nasty kidnapping plot upon which our hero stumbles late one night while skulking about a supposedly empty house. Don't you love when that happens?

Miss Silver doesn't enter into the story until about half way through which is just right for this particular introductory story. Full of anachronisms (hey, it's 1928) and twisted logic, GREY MASK still works a treat and is the perfect antidote for a chilly winter night. These stories are either your cup of tea or they are not, if they are then this one is a prime example of its kind - meant to entertain and intrigue for a few hours and nothing more. I loved it.

9) SLEEPING GIANTS (2016) by Sylvain Neuvel

Lately I am beginning to read more and more science fiction and really liking it. But the stories I seem to gravitate towards are not, necessarily, the flying saucer or outer space type things, but stories about unusual happenings - magical reality on steroids, I suppose. Personified by author China Mieville and others, i.e. Sylvain Neuvel whom I discovered recently.

In South Dakota, a young girl named Rose rides her new bicycle, falls through a crack in the earth and lands in the palm of a giant golden hand. Eventually the hand will join other parts found buried around the world until, put together, they make a full grown warrior woman. But what are these wondrous artifacts? Long lost art? Remnants of an ancient civilization? Weapons of mass destruction? Who hid them? When? Why? And more importantly why are they suddenly coming to light now?

Seventeen years after stumbling into the mystery, Rose Franklin is now a top physicist working with a small secret team to try and find the meaning of this bizarre puzzle. The story is intriguingly told through a series of diary entries, notes and other first person writings.

I am eagerly awaiting the second book in the series,

10) THE FAMILY MAN(2009) by Elinor Lipman

Henry Archer is a divorced gay man of a certain age, a quiet, courtly gentleman living a quiet courtly life in his elegant Manhattan townhouse. Like most of Elinor Lipman's characters inhabiting one of her gentle social satires, he is someone we would all like to know.

In the middle of mourning for his recently deceased best friend Celeste, the lonely Henry discovers that his stepdaughter Thalia has been working right under his nose (at his barber's) all the while unnoticed by him. The story then centers on Henry's attempts to re-connect with his long-lost daughter, not only a hat-check girl at the barber's but also an actress looking for her first break. Once upon a time 24 years previously, Henry had foolishly allowed his ex-wife's mogul husband (now also deceased) to adopt Thalia and because of one thing or another, had lost touch with the girl. Regrets - he has many.

Soon, the mercenary money-hungry ex-wife now penniless (due to a clever pre-nup) attempts to storm-troop her way back into Henry and Thalia's good graces. While Thalia gets mixed up in a public relations gig posing as the girl friend of a weird horror film actor who is, in turn, in love with an underage girl of 17. Not to worry, Elinor Lipman is an expert at untangling convolutions, it all works out nicely.

Like most of the author's work, this is an engaging and charming (if occasionally sharp-edged) tale in which everyone gets what he or she deserves. I like that.

11) HUNTING EICHMANN (2009) - How A Band of Survivors and A Young Spy Agency Chased Down the World's Most Notorious Nazi by Neal Bascomb 

In 1944 when the war was all but lost, many Nazi higher ups began planning their escape, knowing full well that they would be held accountable by the Allies for Germany's atrocities. Among these many cowards was Adolf Eichmann, Hitler's bureaucratic mastermind in charge of 'the Jewish question'. Eichmann was a precise, unfeeling man who sent millions to their deaths and would later use the excuse that he was 'only following orders'. With the help of Nazi sympathizers, he eventually made his way to Argentina after the war, there to join a growing community of ex-Nazis given refuge in the South American country. Eichmann would dodge pursuers for fifteen more years, his trail having gone cold until he was all but forgotten.

How a small band of agents recruited from Mossad and Shin Bet, the Israeli secret services, tracked and finally cornered Eichmann on a dark road outside his Buenos Aires home, makes for a stirring tale of true adventure and daring. Meticulous planning and good fortune combined to help these dedicated agents get their man and smuggle him out of the country aboard the first Israeli plane ever to land in the Argentine capital. Thanks to these men, Eichmann would eventually stand trial in Israel in full view of the world.

This is non-fiction that reads like fast-paced fiction. It is hard to believe all this actually happened. But it did.

Kirkus Review of HUNTING EICHMANN.

And now, since this Friday, don't forget to check in at author Patricia Abbott's blog, Pattinase, to see what other forgotten or overlooked books other bloggers are talking about today.

Merry Christmas and Happy Holidays!

Artist: Elsa Beskow

Uncertainty aside, at least for the next few days, have a wonderful holiday weekend with family and/or friends, and if you are traveling, stay safe. Let us celebrate the things in life worth celebrating and forget the rest - at least for the time being.

5 Favorite Christmas Movies

I do this list every year and every year it's the same movies since I haven't really seen anything new that captures my imagination or makes me feel especially Christmasy. Though I may be in the minority, I dislike Lifetime TV Christmas movies with their lachrymose plots and past-their-prime actors attempting to breathe life into plots force fed with pretend holiday cheer. I'd rather watch A CHARLIE BROWN CHRISTMAS over and over again - the original one. Or Raymond Briggs' THE SNOWMAN, a wistfully beautiful animated short film.

For this short list, I've left off the more obvious classics like A CHRISTMAS CAROL since it's a given we all love those. I am especially fond of three versions: the Alistair Sim one, the George C. Scott one and the Patrick Stewart one. I used to be fond of the musical, SCROOGE, but now, not so much.

We all need an extra bit of Christmas cheer these days so hopefully one or two of my favorite movies will do the trick. Escapism is the key word for the next four years, beginning with now.

1) THE THIN MAN (1934) Though some of you might think that W.S. Van Dyke's classic movie based on Dashiell Hammett's rather dark book is NOT exactly Christmasy, I say, think again. Not only does the story take place over the Christmas holidays, but William Powell and Myrna Loy as the zany sophisticates Nick and Nora Charles share oodles of snappy dialogue and sparkling bon-mots, drink martinis, throw a party, open presents, and tackle a murder plot full of nitwits and thugs. A very young and beautiful Maureen O'Sullivan is also in the cast, as is a bad-tempered gigolo played by a young and sulky Cesar Romero.

2) LADY ON A TRAIN (1945) Deanna Durbin (directed by Charles David whom she later married) plays a flighty heiress who spots a murder from her train window as her train shuffles into Manhattan on Christmas eve. And we're off and running. Durbin gets a mystery writer involved in her hunt for a killer because who else would one go to for help in solving a crime than a mystery writer? What is it about Christmas and murder? Only in movies like these where it's all improbable fun and absurd villainy and Durbin gets to sing a very nice version of Silent Night, over the phone to her dad in California. And Dan Duryea and Ralph Bellamy play sleazy, sinister guys up to no good.

3) THE MAN WHO CAME TO DINNER (1942) Based on a stage play by George S. Kaufman and photographed more or less like one (but not to its detriment), this film does not concern us with murder but merely with a bad-tempered but powerful radio personality of immense popularity played by the irascible Monte Woolley. He is the sort of man who, if this WERE a murder a mystery, would be bumped off in the first ten minutes. But anyway, here he just takes a nasty fall on the snowy doorstep of a conservative mid-western family and is forced by medical exigency to spend Christmas with the sort of people his over-bearing New York personality loathes. Bette Davis plays his long-suffering secretary, Anne Sheridan plays a gold-digging Hollywood glamour gal, Jimmy Durante plays a maniacal old pal and the wickedly charming Reginald Gardiner plays a Noel Coward type and almost steals the movie.

4) CHRISTMAS IN CONNECTICUT (1945) A delightful film starring Barbara Stanwyck as a hyper-drive, domestically hapless NYC magazine columnist/editor doing her best to play happy housewife (with borrowed baby) for her boss, publisher Sidney Greenstreet (who is quite wonderful), while falling in love with a soldier (Dennis Morgan) on holiday leave. The plot is kind of clunky, but since this all takes place in a movie-style Connecticut farm house during a movie-style white Christmas with jingly sled and horses, it's all good.

5) MARCH OF THE WOODEN SOLDIERS aka Babes in Toyland (1934) Christmas wouldn't be Christmas without this old chestnut. The truth is, my un-reasoning affection for this movie knows no bounds. Watched it as a kid every year growing up: WPIX, Channel 11.  I even like to sing along with the Victor Herbert songs. The scene is Toyland, toyland, beautiful girl and boy land - and the incomparable Stan Laurel and Oliver Hardy play Santa's helpers. Though the duo often does more harm than help, for instance turning Santa's order of 100 six inch soldiers into 100 six foot wooden marching soldiers. It's just as well though, for when hordes of shaggy, snarling bogie men attack Toyland, the soldiers come in handy. I love the old fashioned characterization of nursery rhyme characters such as Little Bo Peep and Tom the Piper's Son and The Old Lady Who Lived in a Shoe (literally) and Mother Goose, etc. SO much fun - even the odious Victorian villain Barnaby who overreacts his way into acting infamy. Ha!

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A Rant: Agatha Christie's PARTNERS IN CRIME (The NEWEST Version)

Jessica Raine and David Walliams as Tommy and Tuppence Beresford.

The actors are pleasing and professional and deserved better, especially David Walliams who does take getting used to after years of envisioning James Warwick (the ultimate Tommy) in the role. But once you get over the physical disparity, you do warm up to Walliams as the often hapless Tommy. AND I love Jessica Raine's (Tuppence) hair-do. James Fleet as Mr. Carter is superb in a thankless role - exactly my idea of a professorial spy master. But he's really the only bright spot in an otherwise dismal enterprise.

(Francesca Annis and James Warwick were the ultimate Tommy and Tuppence in the early series adaptation - relatively true to the book and short stories - from the 1980's. And available to watch on Acorn TV. In fact both series are currently available.)

But here's the problem: the two novels adapted for the newest Tommy and Tuppence endeavor, THE SECRET ADVERSARY and N OR M, were simply thrown overboard and replaced with newfangled modern-sensibility scripts based on who knows what research in the firm belief that you can take brilliance and somehow improve on it. Okay, maybe not brilliance, these are not Christie's best novels, but you know, even Christie at her less than ultimate, is better than the crap modern day writers get up to when trying to adapt her work. When faced with Christie's superb sense of timing and plot, they just cannot leave well enough alone.

This nonsensical need to IMPROVE or somehow make the stories more contemporary is completely wrong-headed. Christie's milieu is part and parcel of the Christie charm. Her people occupy a specific universe. They are who they are. You cannot improve or adapt or otherwise make them people of today. Though Christie used themes that are eternal, her characters populated a particular era. That world (long gone) with its own pressures and intrigues has a specific allure. THAT, my friends, is one of the main reasons why Christie is so enticing to so many of us.

Forgive me in advance for not being political correct: In a jarring note, in this newest version of THE SECRET ADVERSARY, a key member of the plot, Jules Hersheimmer the American millionaire searching for his niece, is played by an African American actor (Clarke Peters). The niece too is played by a mixed race actress (Camilla Beeput). No rhyme or reason. Totally disconcerting and adds little to the plot. I'm all for ethnic casting if it makes historical sense or adds to or improves the story in some way. But here it just adds confusion.

Even more interesting, Tommy and Tuppence do not even notice that Jules is black which, for the time, the early fifties (the series has been moved from WWI era) seems odd and almost stops the story in its tracks while we adjust. Wait - who is this?

Jules Hersheimmer is supposed to be a larger than life Texas oil millionaire - the third richest man in America. Here he is someone who has a company pushing synthetic sweeteners. some variation on early saccharine, I suppose. I mean - what? And the way he behaves towards Tommy is very odd. Jules was supposed to be around the same age as Tommy and Tuppence, here he is an older man. Not someone who will supposedly join in the adventure. WHY the change? No reason. It's just change for change's sake.

The original story takes place just after WWI (Tommy and Tuppence have recently been de-mobbed and they meet again for the first time after several years). The sinking of the Luisitania is a key element in the plot with its totally improbable beginning. It is meant to be improbable, not to be taken seriously - this is not a realistic spy novel. It is meant to be fun, the bringing together of two quirky young adventurers at the start of their long and devoted relationship - the 'macguffin' is an international treaty hidden away at the onset of war. For Tommy and Tuppence, it is a wild ride in search of a brilliantly devious master criminal hiding in plain sight. Which is why the attempt by today's writers to force the damn thing to take a serious 'cold war' turn is ludicrous.

It is the 1950's, Tommy and Tuppence are already long-time marrieds with a son away at school and a dog that nobody seems to be taking care of since, at the drop of a hat, both owners go off and leave the animal for long stretches of time. Once assumes someone is walking and feeding and watering the animal, but who knows? These are small details that should have been taken care of in the script. If you include a dog, then include the details of who cares for it. People notice these things.

Also, WHO are all these extraneous characters introduced in the first episode? And, oh by the way, a shooting takes place on a train and NOBODY NOTICES??? NOBODY hears the shots??? And later, was it really necessary to strangle a man in full view of Tommy and the audience? THIS is not Christie. This is someone ruining Christie - someone with ZERO understanding of the author's work. So why not just invent a new cast of characters and eliminate Christie all together? There is NO POINT to using Christie's title and a few of her characters names and then break up the plot so that it becomes unrecognizable. I suppose they are assuming that younger viewers are not familiar with the original Christie plot but then, it that's so, why use her name to begin with?? What is the point?

Was England in the 50's a successfully integrated multi-ethnic society? Probably more so than in the USA, I'd think, but political correctness is just an unnecessary element in these period dramas. Forgive me if I'm being insensitive, but there is a time for multi-ethnic casting - when it makes sense - and there is a time when it just doesn't fit. These are not stories about racial equality or inequality, they are supposedly light-hearted mysteries and/or thrillers. Modern day sensibilities adjust or they don't - if they don't, they don't watch. Simple as that.

But what with all the padding and extraneous bits of supposedly sinister stops and starts (and Tommy and Tuppence behaving stupidly and deserving of being caught by the bad guys), the whole thing turns tedious and almost impossible to watch. I stopped about midway through, furious, yet again, at the way Christie's stories get yanked around to no purpose.

As for N OR M, a story which originally takes place during WWII, when Tommy and Tuppence's grown children are away at war and both parents are feeling useless, bemoaning the fact that they are too old to take part. When suddenly Mr. Carter shows up and offers Tommy a gig at a rooming house where one of the boarders is thought to be a German agent. Simple enough plot. But no, it has to be modernized to the point of absurdity with blood spattered corpses and wild shoot-em-ups in the streets of foggy London. Ugh.

PARTNERS IN CRIME has NOT gotten a second series start and no wonder. You cannot do this to Christie's work and expect good results.

P.S. I am hesitant to watch the newest version of AND THEN THERE WERE NONE, also available on Acorn. I understand that this too was re-fashioned to make it more entertaining (?!) for modern day audiences.

And now I've read that an even newer version of THE ABC MURDERS with, I am assuming, a new Hercule Poirot, is in the works. David Suchet is/was the ultimate Poirot. We've just finished 25 years of watching him brilliantly expand on the role and eventually die, in CURTAIN.

Now, we get another Poirot? Who on earth would have the temerity? One can only shudder.

Forgotten (or Overlooked) Book: O JERUSALEM (1999) by Laurie R. King

"If I forget thee, O Jerusalem, let my right hand forget its cunning." Psalm 137:5

This is a re-working of a review I posted a few years ago. These days (with good reason) many of us are looking for escapism, books that are thrilling and well written and take us out of ourselves and maybe also take us back in history to a time when all things were possible. And who better to travel with than Sherlock Holmes and his apprentice, Mary Russell whom we met in the brilliantly conceived,THE BEEKEEPER'S APPRENTICE. (And if we haven't met her, then rush right out and buy the book for goodness' sake - it's a keeper! Even Conan Doyle would have approved of Russell.)

Please note: This is not the second book in the series begun so spectacularly (and audaciously) with THE BEEKEEPER'S APPRENTICE, though I think it should have been. I always recommend reading O JERUSALEM second if you've just begun or are about to begin reading the Holmes/Russell series. But of course, it's totally up to you. The 'official' second book in the series is actually A MONSTROUS REGIMENT OF WOMEN, but this could easily be read as the third book without missing a beat. All my own opinion, you understand.

At any rate, if you favor historical fiction, I can't stress enough how imaginative, how dazzling, how truly wonderful O JERUSALEM is without seeming like a slavering groupie. Well, okay, I'm a slavering groupie. There's worse things I could be. Ha!

The plot:

It is 1918, Sherlock Holmes and his apprentice/partner, the brilliant Oxford student Mary Russell are forced by deadly circumstance to get away from London for awhile. So off they go to the British protectorate of Palestine, a country liberated from the Turks the previous autumn. At the behest of Mycroft Holmes - Sherlock's brother who is high up in murky government circles - both travelers will be performing some vague undercover work while they make their way across the rugged terrain to the city of Jerusalem. (Given a choice of several destinations by Holmes, it is Russell who has chosen to travel to Palestine, she is Jewish and Jerusalem holds special allure for her.)

To that end and upon arrival at night hidden in a skiff, they must meet and pass muster with two suspicious Arab agents who do not want them there in the first place. Mahmoud and Ali regard Holmes and Russell as nuisances who have been foisted upon them. They are not happy playing nursemaids at a time when any wrong move could bring disaster. Palestine is (and always appears to have been) a hazardous place, especially for outsiders. Jerusalem in 1918 is a hodgepodge of Brits, Arabs, Jews, Christians, spies, troublemakers and possible terrorists.

Steven immediately shipped his oars, stood, and stepped over the prow of the little boat into the shallow water. Holmes grabbed his haversack and went next, jumping lightly onto the coarse shingle. I followed, pausing for a moment on the bow to squint through my salt-smeared spectacles at the dark shore. Steven put his hand up to help me, and as I shifted my eyes downward they registered with a shock two figures standing perfectly still, thirty feet or so behind Holmes.

"Holmes," I hissed, "there are two women behind you!"

Steven's hand on mine hesitated briefly, then tugged again. "Miss Russell, there'll be a patrol any minute. It's all right."

I stepped cautiously into the water beside him and moved up to where Holmes stood.

"Salaam aleikum, Steven," came a voice from the night: accented, low, and by no means that of a woman.

"Aleikum es-salaam, Ali. I hope you are well."

"Praise be to God," was the reply.

"I have a pair of pigeons for you."

"They could have landed at a more convenient time, Steven."

"Shall I take them away again?"

"No, Steven. We accept delivery. Mahmoud regrets we cannot ask you to come and drink coffee, but at the moment, it would not be wise. Maalesh," he added, using the all-purpose Arabic expression that was a verbal shrug of the shoulders at life's inequities and accidents.

The inscrutable Mahmoud and Ali, go on to become two of author Laurie R. King's most indelible characters. I have never forgotten them and with my memory (or lack thereof) that's saying something. (They will show up later in another of King's books, JUSTICE HALL under totally different circumstances.) Here they almost steal the show from Russell and Holmes. How these four characters become trusting equals realistically takes most of the book, all paths hindered by the fact that Russell is a woman who, to Mahmoud and Ali's horror, must masquerade as a man for most of their journey.

Almost from the start, things go wrong, beginning with the brutal murders of some Jewish farmers. After a brief examination of the crime scene, Holmes senses that more is afoot than just the slaughter of a farm family. The bodies have apparently been left as inflammatory messages. He is able to deduce that the dead settlers are only the beginning of some bizarre plot. A dangerous traveler is abroad in the land.

In the end, it becomes a race against time (don't you love that?) to save Jerusalem, save the peace, and save our travelers from the machinations of an insidious terrorist plot.

This is the sort of story in which the most minute clue must be interpreted correctly or disaster waits. The reader is brought along on a gritty, hair-raising adventure, travelling in unfamiliar country, across treacherous unforgiving terrain, meeting up here and there with friends but mostly with enemies. All the while Russell learning the language and dialects so she can 'pass'. Mostly they label her a mute and leave it at that. It is fortunate that Russell has a genius for languages and as she beings to get a handle on the dialects, we do too. We also begin to understand the possible repercussions from the slightest of mistakes. This is an ancient and very complex society made more even more volatile by its recent history and its current (though temporary) domination by the British.

One of many things I like about King's books is that she often mixes 'real' persons within her stories. In O JERUSALEM, we get a level, sympathetic portrayal of General Allenby, the legendary British commander. There is also mention of T.E. Lawrence (Lawrence of Arabia) and we get a brief glimpse of him near the end.

I can't equivocate, I love this book. I love the writing, the constant wary sense of danger, the grand adventure, the relationship between the four characters, the setting, the historical turmoil and everything, anything having to do with this amazingly well told story. When I feel like leaving reality behind and heading out on an improbable adventure, I reread O JERUSALEM.

P.S. In a way, this book is almost a stand-alone, being more a thriller than a whodunit or 'regular' mystery in the Holmes vein. It is totally different from any Holmes story heretofore in canon or pastiche. If you have trouble seeing Holmes as a man of action, author Laurie R. King will convince you that not only is he capable of feats of endurance more natural to a younger man, but that he is, in her hands, more a man of flesh and blood than Conan Doyle ever envisioned.

I have a signed first/first of O JERUSALEM which I watched Laurie R. King sign for me in Las Vegas years ago, it is one of my most prized possessions.

Since this is Friday, don't forget to check in at author Patricia Abbott's blog, Pattinase, to see what other forgotten or overlooked books other bloggers are talking about today.

Marshall Browne (1935 - 2014)

I was terribly saddened to read about the death of Marshall Browne, an Australian author whose books I love. Though he died two years ago, I've just learned about it in an email from his daughter letting me know of his passing and also that a book of his which was in its final editing stages has been published - one of Browne's Inspector Anders series, so there is that to look forward to. 

(INSPECTOR ANDERS AND THE PRAGUE DOSSIER is currently in Australian bookstores.)

I never did understand why Marshall Browne's books were not more readily available here in this country. But whenever I got my hands on one it was a happy day. I treasure his two Franz Schmidt novels, THE EYE OF THE ABYSS and THE IRON HEART. Both classic WWII spy novels and much more approachable than John Le Carre's work, far as I'm concerned. Browne's work has emotion, something definitely lacking in many spy novels. And he was unmatched in establishing a sense of dread. 

I've read and reread both of these novels over the years and can't recommend them highly enough. THE IRON HEART though, is especially tough to find in this country. But do try. Begin with THE EYE OF THE ABYSS which is occasionally available.  

Marshall Browne and I exchanged several emails a few years ago when he was kind enough to thank me for a review and when I lamented that I couldn't find a copy of THE IRON HEART (the second Franz Schmidt novel), he very kindly sent me one all the way from Australia! Authors are often the nicest people.

My early review of THE EYE OF THE ABYSS.

My review of THE IRON HEART. 

My review of THE WOODEN LEG OF INSPECTOR ANDERS which appeared directly on author Patricia Abbott's blog, Pattinase, way back when in 2010. (You have to scroll down a bit, I couldn't isolate the link.)

Browne had hinted at a third Franz Schmidt book, but it was not to be. But a fourth Inspector Anders novel is wonderful news. The first Inspector Anders book was titled, THE WOODEN LEG OF INSPECTOR ANDERS (one of the all time great book titles ever conceived - far as I'm concerned) and well worth looking for as are the other two in the series. And now there will be a fourth - great news.

The Inspector Anders books were my introduction to Marshall Browne's work and I was thrilled with my discovery of this talented author. I only wish his books had gotten to be better known in this country so that he would have gotten the literary stardom and appreciation he deserved.

Link to obituary from the Sydney Morning Herald.

Link to post from Australian Crime Writers Association.

Friday Forgotten (or Overlooked) Book: THE BIG THAW (2001) by Donald Harstad

I think I'm echoing a recent review by one of our FFB bloggers (please remember I have old lady memory and can always be counted on to forget where I read what and when). If so, please do identify yourself and I'll happily give you proper credit for reminding me (what goes around comes around) of this fabulous thriller by a little known but much appreciated writer.

I must be on a role. Lately, I'm reading (and re-reading) nothing but great stuff. (Well, okay there were one or two clunkers along the way, but the less said about those, the better.)

Donald Harstad is a writer often categorized as 'regional' and perhaps that's why he's not better known. Also, he doesn't write a book a year like most other genre writers and that, perhaps, tells against him too. Though I prefer to wait for the best a writer can give me, rather than insist he write something just to meet a yearly schedule. My feeling is that you have to respect a writer's writing rhythm. If you want the good stuff, anyway.

Harstad excels at what I think 'they' call Rural Noir. Nation County, Iowa is his fictional stomping ground. The writer (a former long-time police officer) also lives and works in Iowa, a section of the country I know very little about (and, in fact, would know nothing at all except for these books). At any rate, I'm a lost cause since I always get Iowa mixed up with Idaho, so it takes me a while to figure out where exactly I am. For some reason I have a tendency to think that Iowa is further west than it actually is no matter how many times I self-correct. 

Anyway, Harstad's creation is Carl Houseman, an affable, stalwart, remarkably adept Iowa deputy sheriff in whom any town in any county in any state would be proud to place their trust. The author has skillfully taken this stolid, competent man (missing all the usual genre eccentricities) and placed him at the center of this exciting series of books - in and of itself, quite an accomplishment. Carl Houseman is the kind of man who exemplifies the best sort of cop - the guy we should all be so lucky to turn to when the you-know-what hits the fan. The cop we would like all cops to be.

And though he occasionally works with the FBI and other assorted government types in this post 9/11 era - Houseman is NOT in love with the beautiful FBI agent (gotta' have one of those in every book, even this one), he is happily married, he is NOT an alcoholic (recovering or otherwise), he is NOT a guy who shoots first and asks questions later AND he gets along with almost everyone he meets. AND wonder of wonders, the people around him actually like and admire him, well, most of 'em. His boss even appreciates him. Go figure. All this, in my book, makes Carl Houseman a welcome anomaly in this modern day world of anti-heroes dragging unsavory personal baggage about. He's just a guy you can count on, doing a difficult job, often coming up against vileness of the worst sort but not allowing it to drag him under.

Speaking of vileness: Who knew that the mid-western U.S. was such a hotbed of international crime? Well, guess who shows up in THE BIG THAW but that familiar linchpin of thriller-dom, 'the arch-criminal' - this time it's Gabriel, whom Houseman and his small department have reason to remember from an earlier and very deadly encounter years ago. But not to worry, the author is dexterous enough to make all this improbability work. 

Donald Harstad is terrific at combining police procedural tropes with the adrenaline rush of a break-neck crime thriller. Not an easy task as many other writers have proven. Just about everything in this fast-moving tale of conspiracy, murder, terrorism, set in a landscape of snow and ice and freezing winds, captures the imagination.

An aside: The only other author I've read who is this good at icy ambience is the multi-Edgar Award winning Steve Hamilton in his Alex McKnight series set in the upper Michigan peninsula. (If you're not familiar with those books, then it's time to add Hamilton's name to your TBR list as well.)

THE BIG THAW begins quietly enough with a frightened guy sitting in a parked car on a snowy lane in the dead of night. This almost immediately leads to two dead bodies, shot execution style (with a Russian weapon), found hidden under a tarp on a lonely, deserted farm whose owner is known to be away and oh-by-the-way why is the refrigerator stocked with food?

There's something about the routine of small town police work that I enjoy (the author's personal experience makes everything, from dialogue, to nuts and bolts investigation, to cop radio jargon seem natural and absolutely real), especially when so deftly handled. Add in some hard-boiled agents of the Federal government, and it all makes for a quick, thrilling, eye-brow raising, entertaining tale.

For just when it seems that the police might have their killer, the crime expands into something else and the Feds shows up yet again in Nation County. This time on the trail of a terrorist with Russian connections who may or may not be planning something local and spectacular. Soon there are black ops snowmobiles (well, FBI) racing over icy fields, a spectacular bank robbery, and a Mississippi (yes, the Mississippi goes up this far - who knew?) river boat - used as an off-shore casino - under assault.  I know, I know, it sounds too over-the-top, but you know, it works. When something works, I don't quibble. I just enjoy the ride. Later, I will stop and admire the skill it took to put the whole thing together.

I liked this even more than I thought I would primarily because of the excitement of the last few chapters. Every now and then, you just want to read something like this precisely because you don't want to stop and think too deeply about what's happening. (Not that this is a mindless enterprise, not at all, it just doesn't require you to carry the great weight of the universe while you're reading. That's all I'm saying.) And when the writer is this good, it doesn't hurt at all.

Since this is Friday, don't forget to drop in at author Patricia Abbott's blog, Pattinase, to see what other forgotten or overlooked books other bloggers are talking about today.

Forgotten (or Overlooked) Book: THE LIST OF ADRIAN MESSENGER (1959) by Philip MacDonald

No question about it, re-reading this after many years, nothing much has changed - it remains a thoroughly splendid book. There - I said it and I'm glad. Even better then the first time around. It is and should be viewed a classic. Period.

Better, of course, than the movie with those tiresome rubbery make-up tricks meant and failing to intrigue (if you've seen the film you'll know what I mean) - a movie only saved by the wonderfully warm and intelligent performances of George C. Scott, Jacques Roux and Colin Brook. I recommend the film based on those three actors and the spiffy, fast-moving plot (different in many ways from the book) DESPITE Kirk Douglas' ham-bone turn and the rest of the make-up jiggery-pokery. Honestly, if they'd only gone forward with the film in a straight forward way, John Houston would have had another classic film to brag about.

But back to the book:

Which has a richer and more complex plot than the film and becomes the sort of thing you don't ever want to end. Don' you love when that happens? I know, I'm getting googly, but bear with me.

Anthony Gethryn is the gentleman detective/crime-solver par excellence (happy to work with Scotland Yard) conceived by the very underrated Philip MacDonald (who also wrote and co-wrote excellent screenplays), a writer mostly forgotten these days. It's really a shame that MacDonald's books are no longer available in new editions. I, for one, would love nothing better than a whole shelf devoted to his trade paperbacks - stand-alones and Anthony Gethryns. As it is, I pick them up as best I can online.

(I've reviewed MacDonald's other classic, WARRANT FOR X, and would have gladly linked it for you, but for whatever reason, Google - in its infinite wisdom - now no longer permits me to search the blog by name or title so I can't find the damn thing and neither will you. I don't know why this is happening but at some point I hope the powers that be will wake up and change whatever they did and go back to the way it was.)

Anthony Gethryn is, of course, the kind of sleuth we love. He is brilliant, elegant, upper class and worthy of all we've come to associate with gentleman detectives from the golden age. He has manners! He has a family and lives in a wonderful house in London. (Though home and family are conveniently absent this time out, since I suspect they would have only curtailed his agility.)

I can't even begin to express just how much I love this book except to say that I am going to begin rereading it yet again in a few days time just as soon as I finish with several library books whose deadlines are fast approaching.  More about those in later posts. (You can keep track of what I'm reading by checking the blog's left side bar near the top under 'Finished Reading', and also my Page: 'Books Read in 2016'.)

Something odd: I had remembered the ending of THE LIST OF ADRIAN MESSENGER film as being a bit better than the ending of the book, but upon this second re-reading, I've decided I was wrong. The book has a better ending. Totally different and in a way, more satisfying.

Okay, and now The plot:

"This tale hinges, like so much in humanity's sorry history, on a piece of paper. In this case no broken treaty or injudicious epistle from one Personage to another, but a slip upon which Adrian Messenger wrote the names and addresses and occupations of ten men."

Messenger is an English author currently at work on a memoir. A day or so before a fateful trip to America, he lunches with a friend, General Firth, who works in an advisory capacity at Scotland Yard - Special Assistant to the head of the C.I.D. (Both Messenger and Firth had shared hair-raising war time activities and know each other to be the sort who wouldn't waste each other's time with nonsense.) They have an enigmatic conversation which results in Messenger giving Firth a list of ten names and asking him to quietly and unofficially check on whether those ten men are still living at those ten addresses within the United Kingdom.

More than that, Messenger will not say. Except that the thing he's working on is so preposterous no one would believe it anyway - and no, it's not a conspiracy of any sort. Once Messenger returns from America, he'll have more details.

But Messenger is destined to gather no more details. Once his plane is over the Atlantic, an explosion takes care of it and the passengers bound for America. All except for one survivor, journalist Raoul St. Denis who, fortunately, overhears Messenger's final rambling words as both men and an unconscious woman (who later dies and has nothing to do with the story) dangle on a crate floating in the sea.

It is assumed, at first, that the tragedy is the result of a horrible malfunction of plane-ware.

General Firth, in the meantime, has done his duty by Messenger - he's instituted a stealthy check of the names on the list and the results trouble him enough that he wants to consult.

In turn, he and Sir Lucas (aforementioned head of the C.I.D. and old crony of Anthony Gethryn) arrange a dinner meeting (naturally at one of their clubs) with Gethryn.

"There was something in your voice, my friend. What is this - a problem?" 

"That," said Lucas cryptically, is what Firth wants to find out."

And find out they do over the next exciting pages of this thrilling escapade of a book. I know, I know, my hyperbole is running amok - but honestly, I can hardly contain my enthusiasm. I have a strange fascination for stories featuring competent people faced with an enigmatic problem they are determined to solve for no other reason than because something is wrong which must be set right. It's my kind of story and I'm always on the look-out for one I may have missed. It's the kid in me that fell hook line and sinker for tales of this sort, ages ago. I am enamored of rational men (or women) using their guile, intelligence and wit to do the right thing. Old fashioned, especially these days, but there it is.

Back to the book:

 Troublesome odds: All of the men on Adrian Messenger's list have, one by one, over the previous five years, met accidental deaths. The odds of which trouble not only Firth, but immediately fascinate Gethryn. Though Lucas drags his feet a bit, he too finally comes to see that the odds of that sort of thing happening by chance are absurd.

Eventually, Gethryn and the lone survivor of the plane tragedy, journalist Raoul St. Denis, meet in person, though they had actually 'met' before during the War when both were underground operatives connected by long distance radio and false names. St. Denis is/was an explosives expert who will fall in love (at first sight) with Jocelyn Messenger, a painter of miniatures once married to Adrian Messenger's brother, killed in the war. Long story short, they all get involved, in varying degrees in the hunt for an unknown and very efficient killer. A man who has been getting away with murder (on two occasions, mass murder) for years and left nary a clue. Not a serial killer of the sort we're used to reading about, so it's not your average tale of a man driven by blood lust or sex or politics or even delusion. As Messenger himself says in the beginning, "And anyway, if I'm right it's a far older sin than any politics..."

In the end, here's my advice: grab a copy anyway you can find it - if you're lucky, your library might have one, though mine didn't. Now and again a copy shows up on Amazon or Abe Books and there's your chance. Mine was only four bucks (a rackety old paperback). But you have to move swiftly.

Then allot a long afternoon to one of the cleverest thrillers ever written. Events in the book happen between one Christmas and the next, so this would be an appropriate title to add to your seasonal reading list even if, well, the holidays don't have anything to do with things except in passing.

And another thing:

One of Philip MacDonald's many writing strengths is his way with settings, convivial or otherwise. He has the Agatha Christie knack of almost immediately being able to lift you up and set you down in whatever surroundings are required. He is especially good at drawing the reader in as if he or she were a guest and welcome to our adventure.

It was a darkening and bitter half past four when, back in London's outskirts again, he crossed the river at Putney and headed for Chelsea; fifteen minutes later when he rang the bell of Number Five Whistler's Walk, and two minutes later when the little Scotswoman, after a short conversation over the inter-house phone, led him across to the studio.

Charming outside, this was even more so within. It was long and high and the whole northern section of the roof was glass. At one end fir logs crackled in a fireplace of dark red brick and at the other a big stove glowed. Around the stove and under the glass roof was all the pleasing litter of a painter's workplace, but about the hearth were order and comfort; deep chairs and a sofa and a low round table upon which stood a tea service on a silver tray.

And he entered, Jocelyn rose from one of the big chairs and from the other side of the hearth, on the sofa, Raoul St. Denis raised a hand in greeting. Permeating the comfortable glow of the place, lending an invisible nimbus to the man and woman already in it, there was an atmosphere of felicitous and personal excitement which for want of a better word Anthony was forced to describe to himself as 'romantic.' He answered Raoul's gesture in kind, and smiled at Jocelyn as she came to meet him. And looking at her was suddenly smitten, albeit with a pleasantly wistful benevolence, by consciousness of his years.

All this and a fascinating hunt for killer who will stop at nothing - what more could you want?

Todd Mason will be doing hosting doings for author Patricia Abbott at his blog, Sweet Freedom this Friday. Don't forget to check in to see what other forgotten or overlooked books other bloggers are talking about today.

Friday Forgotten (or Overlooked) Book: THE HAND IN THE GLOVE (1937) by Rex Stout

First things first: THIS IS NOT A NERO WOLFE BOOK. So don't be misled into thinking it is one you might have overlooked.

This is Stout's first Theodolinda 'Doll' Bonner book, a stand-alone - presumably at one time meant as a possible first in a series. The character does go on to appear (peripherally) in a couple of Nero Wolfe short stories in later years but (evidenced by this first book) she just wasn't strong enough (or interesting enough) to 'carry' a series and thank goodness, I suppose, that Rex Stout realized it before possibly pushing forward with more books.

So in a way, this review is more of a rant than anything else. Possibly because I'm in a ranting mood.

Going in I'll say that despite a few lukewarm reviews here and there online, I began the book expecting to be entertained. I'm just too big a fan of Rex Stout (and admirer of his genius) to expect otherwise. Sad to say, THE HAND IN THE GLOVE is not as entertaining as might have been expected. Good writing is a given when it comes to Stout and there is some of that here, just not enough to save this failed attempt by a man to write from a woman's point of view. Stout, unfortunately, is unable to capture even a smidgen of what it means to be female. His characters are merely that - characters in a story - never once do they come alive. Hard to believe, I know.

Especially when you consider how wonderfully alive Nero Wolfe and Archie Goodwin are in their books. It really is hard to reconcile THE HAND IN THE GLOVE as anything but a very minor Rex Stout attempt at something different. B for effort.

So why am I even bothering to talk about it? Well, I am a huge fan of the Nero Wolfe books and an admirer of some of Stout's other non-Wolfe books such as ALPHABET HICKS (now here's a series he might have done well with had he pursued it), not to mention the very enjoyable Tecumseh Fox mysteries which I found over at the Kindle store (since hard copies are notoriously difficult to locate). I definitely recommend the 'Fox' and 'Hicks' books however you can find them.

In a contrary sort of way, it is my enthusiasm and love for Rex Stout's books that makes an anomaly such as THE HAND IN THE GLOVE, kind of fun to talk about. At least it's interesting to me to try and analyze where an author might have gone wrong.

I'll begin with the main character: Theodolinda 'Dol' Bonner. She is a typically spirited young woman, pragmatic and keen-eyed, a budding detective eager to make her way in the world. She was once jilted at the altar and that has soured her on men. We take her and her cynicism at face value though at first glance it does seem a bit over the top considering that many women have been jilted and not had it twist their perceptions with such depth and rancor. It would have helped had we known a few of the details, but none are forthcoming. Just that she was jilted and ipso-facto, she has sworn off men forever.

At any rate, Dol and her heiress friend Sylvia Raffray are on the verge of going into business together. It's all just about a done deal. When, lo and behold, Sylvia pulls out at the very last minute because her guardian, P.J. Storrs has had a hissy fit over the whole idea. He is dead set against Sylvia being associated with 'business' and worse, ' a private detecting business'. People of her sort don't do this kind of thing. And because Sylvia is easily manipulated she goes along with her guardian's demand that she sever her ties with Dol's enterprise though it means that Dol will have to immediately close up shop, fire the receptionist and scramble to get her fledgling business up and running once again. Well, I suppose, friendship only goes so far.

Not that Sylvia doesn't feel guilty, there's plenty of hand-wringing and even a few tears and 'oh will you forgive me' going on. Whereas Dol, reacts rather benevolently and says she understands and not to worry, all will be well. We're still friends even though I have to shut down the office before we even get going. No harm done. Except that as a reader, I immediately disliked Sylvia and began right then to have my doubts about Dol.

This is where the whole story starts to fall apart even before it begins - at least for me.

Now, I don't know about you, but one would expect Dol to harbor at the very least some understandable resentment towards the wishy-washy Sylvia even if they have been friends for years and years and even if she, Dol, admires Sylvia's youth and attractiveness and sweetness of temperament, or variations thereof.

That's just when I began to think that perhaps Dol's deep fondness for Sylvia had more going on with it than just friendship. It would explain all the rationalization and looking the other way when anyone else would have been forgiven for losing their temper and stomping about a bit.

And in fact, for the rest of the book, I felt the same thing. Dol does seem inordinately fond of her friend. (And I do realize that friendship came with different vocabulary back then.) HOWEVER, no one in the book thinks anything of the closeness and Rex Stout gives no hint that the friendship had any unusual aspects. But honestly, it's hard to read this from a modern day vantage point and not see which way the wind was blowing, at least as far as Dol Bonner was concerned. In fact, had Dol's crush on Sylvia (I can't explain it any other way) been allowed to flourish a bit, it might have made Dol a more interesting and certainly a more sympathetic character.

As for Sylvia, well she is the sort of helpless young woman that men of that era danced devoted attendance on. If you've seen movies from the thirties and forties, read a few books, you know the type I mean. Exceedingly tedious today, but back then, seen as delightfully fragile and needing of help, guidance and strong shoulders to lean on.

Dol, in contrast, is the self-sufficient slightly older friend who can be counted on in times of stress. In most books and movies from that era, these women were usually the ones who chose careers and watched bemused as their friends upped and married and lived happily ever after. (Though Dol does go on to fashion and maintain a reputable private detection business in NYC - not such an easy thing to do. And earn the respect of Nero Wolfe - even harder to do.)

Now we come to the second untenable event in the book which threw me for a loop: Sylvia's guardian, though he is unwilling to allow his ward to go into business with Dol turns right around and hires Dol to investigate some suspected finagling going on in his family. My first thought: huh?

It seems that Storrs' nitwit of a wife is under the influence of a charlatan soothsayer (apparently back then this was a big 'thing' with the moneyed class - sooth-saying and so forth) and worse, has been giving said soothsayer chunks of cold hard cash. In the movie this guy would have been played by Cesar Romero.

Well, anyway, Dol isn't in a position to turn down a fee no matter where it comes from and so up she goes to Storrs' country estate just in time to find her client murdered and the house full of suspects, including her friend Sylvia and Sylvia's callow swains (yes there are more than one).

In these types of stories it is really is very helpful if you like the main protagonist especially when she or he will be surrounded by a bunch of not-so-very-likable suspects any one of whom might be a clever murderer. There is a knack to this sort of thing and admittedly, very few had it then or now (it is at the heart of any good country house mystery). Dol Bonner just isn't very likable primarily because she isn't an especially sympathetic character.

I suspect that Stout didn't have a clue about friendships between women and perhaps that's all that is at the bottom of the whole clumsy thing.

Anyway, there you have it. Rex Stout wasn't perfect, only nearly so. And aren't we lucky that he continued to write Nero Wolfe books until the end of his long life.

Since this is Friday, don't forget to check in at author Patricia Abbott's blog, Pattinase, to see what other forgotten or overlooked books other bloggers are talking about today.

Tuesday Salon: No Specific Theme, Just Some Paintings I Love

American Impressionist William Howe Foote (1874 - 1965) - 'Sunlit Interior'

English painter Dame Laura Knight (1877 - 1970) - 'On the Cliffs' - via

English painter Ernest Townsend (1880 - 1944) - 'The Balloon Man' - via

French painter Louis Valtat (1869 - 1952) 'Femme au Chat' - via

French Abstract painter August Herbin (1882 - 1960)  "Composition Monumentale' - via 

Irish painter Sir John Lavery (1856 - 1941) 'Return from the Market'  - via

American Abstract Expressionist painter Jackson Pollock (1912 - 1956) 'Shimmering Substance, 1946' - via

French Impressionist Pierre Auguste Renoir (1841 - 1919)  - via

Dutch Post Impressionist Vincent Van Gogh 'Portrait of Postman Joseph Etienne-Roulin - via

Contemporary American painter Wayne Thiebaud (born 1920) - via

French Symbolist painter and printmaker, Edouard Vuillard (1868 - 1940) 'Fleurs' - via

Dutch Renaissance Master Jan Vermeer (1632 - 1675) 'Girl with a Red Hat' - via


"LOVE ART. OF ALL LIES IT IS THE LEAST UNTRUE." Gustave Flaubert

"ART IN ITSELF IS AN ATTEMPT TO BRING ORDER OUT OF CHAOS." Stephen Sondheim

"ART WASHES AWAY FROM THE SOUL THE DUST OF EVERYDAY LIFE." Pablo Picasso

"THE JOB OF AN ARTIST IS TO OFFER A SANCTUARY OF BEAUTY TO AN UGLY WORLD.' Jeff Goins

These few words are about as close as I'm going to get to alluding to the hideous results of the recent Presidential election. I like to think of my blog as a respite from reality. We need to have someplace to go when things around us are falling apart. You are welcome to hide here with me and we will continue to talk about books and art and (mostly) old movies and pretend that somehow or other all will be well.

Friday Forgotten Book: THE CORNISH COAST MURDER (1935) by John Bude

Another in the beautifully designed trade paperback series from British Library Classics. Golden age mysteries forgotten by time, emblazoned with gorgeous covers.

John Bude is the pseudonym of Ernest Carpenter Elmore (1901 - 1957), an English theater producer/director who wrote mysteries and fantasies which, unfortunately, many of us have never heard of. While not in the upper echelons of Christie and the other Golden Agers, John Bude was certainly deserving of a better literary fate than he received.

THE CORNISH COAST MURDER was Bude's mystery writing debut and a pretty good one. The book features an engaging crime-solving vicar and a befuddled local inspector of police working together to solve the murder of grumpy and unlovable Julius Tregarthan, an elderly magistrate found dead in his study with a bullet in his head. Just the sort of good stuff you go to cozies for. And certainly better written then most modern day attempts which are often nothing more than cartoons looped around some sort of eccentric hobby. In general, I'll take unheard of vintage cozy writers over their modern day brethren any day. In fact, I've given up on most modern-day cozy attempts. But as usual, I digress.

Also involved in THE CORNISH COAST MURDER are a couple of young lovers, one a shell-shocked WWI vet and the other the niece of the murdered man. There is even a sinister butler named Cowper. And a keen-eyed mid-wife named Mrs. Mullion, who happens along a dark lane on the night of the murder at an inappropriate moment.

Not that this is a perfect mystery, but it's not a bad way to wile away a few hours on and Autumn night or two. The book does go on a bit longer than it needs to and in the end, the killer is someone not mentioned except, perhaps, in passing, in the first half of the book. The denouement then is kind of brought in on a tangent, but it's not totally off the wall. You can see how the vicar arrived at his conclusion once two and two begin to make four in a roundabout kind of way. Though the actual 'how-to' of the murder seems a bit far-fetched. Still, it's only a quibble.

I also think the book might have been a bit sprightlier with a second murder thrown in, but maybe that's just personal taste. At any rate, despite that, the story moves along fairly rapidly with the rather small set of suspects being viewed and reviewed and nefarious plots surmised and dismissed by Inspector Bigswell who is on a time table rush to solve the case before the big honchos from Scotland Yard are called in.

I may sound lukewarm about THE CORNISH COAST MURDER, but I'm not. The three main reasons I enjoyed this book so much are:

1) The damp and windswept Cornish coast locale which is captured superbly by the author. Setting and the knack of describing it without seeming like a travelogue is so important in a mystery.

2) The wonderful fact that the murder investigation begins on a dark and stormy night.

3) The character of Reverend Dodd, the crime-solving vicar who enjoys his roaring fireplace, his food, reading murder mysteries and sharing them with his friend Doctor Pendrill who comes over once a week for the ritual sharing of six new mysteries by current (by 1935) writers:

"Let's see now - an Edgar Wallace - quite right, Pendrill. I hadn't read that one. What a memory, my dear chap! The new J.S. Fletcher. Excellent. A Farjeon, a Dorothy L. Sayers and a Freeman Wills-Croft. And my old friend, my very dear old friend, Mrs. Agatha Christie. New adventures of that inimitable chap Poirot, I hope. I must congratulate you, Pendrill. You've run the whole gamut of crime, mystery, thrills and detection in six volumes!"

The doctor coughed and puffed earnestly at his pipe."

Nicely done. Though the doctor never fully comes alive as a character, Dodd more than makes up for it with his admittedly fussy way of sorting through the clues and coming up with the murderer.

Another fine and unruffled mystery of the old school variety - don't miss it if this is to your taste.

Since it's Friday, don't forget to check in at author Patricia Abbott's blog, Pattinase, to see what other forgotten or overlooked books other bloggers are talking about today.

Halloween Night Frights: 5 Scary Movies I Like

I've done this sort of Halloween post before, but for those of you who may have missed it (or them), let's have a do-over. (Plus it seems as if Google has made it impossible to search my blog for titles of long lost posts.) The movies I like may not be the best movies ever, they rarely are, but they are the movies that I liked and continue to like best.

With rare exceptions I am a purist, I am not fond of technicolor (or any other color) horror movies. I like my spine tingling chills in black and white. For me, scary movies from the 50's, 60's, 70's (well, you get my drift) were always TOO gory and catsup colored - no thanks. (Sorry, Sergio!)

So, having said that, here we go:

The order of these movies can be shuffled about easily so don't take the numbers thing too seriously. And of course there are many, MANY other titles I could have included, all from the golden age of movie making (at least, far as I'm concerned). But these 5 are, I think, a good representation of the best in stylish ghoulishness. Can't disregard that pesky thing called 'style'.

1) THE UNINVITED (1944) starring Ray Milland, Ruth Hussey and Gail Russell. Directed by Lewis Allen. This is the absolutely perfect Halloween movie. Eerie, atmospheric, beautifully photographed, minimalist in tone yet gloriously gloomy. It's all there: An old house pulsing with mystery, perched on the edge of a cliff, a weeping ghost and a very satisfying ending. Of course, being that there's a cliff we not only get the sounds of waves crashing against the rocks, we also get a story of how, long ago, someone fell to their death over those very cliffs. It doesn't hurt the suspense any when the things we expect happen anyway.

The house, newly purchased at a very cheap price (uh-oh) by a composer (Ray Milland) and his sister (Ruth Hussey), contains, along with a gorgeous entryway and fabulous staircase,  an icy menacing presence (whom we don't see except vaguely in one scene) and the sound of ghostly crying in the night.

Almost from the first, the fight is on for the life of a young and impressionable girl played by perpetually bewildered Gail Russell. The only weak link in the chain is Russell's 'English' accent which is a total failure, but she is so beautiful in this that it hardly matters. My review.

2) SON OF FRANKENSTEIN (1939) starring Boris Karloff, Basil Rathbone, Lionel Atwill and Bela Lugosi. Directed by Rowland V. Lee. My favorite Frankenstein movie (except for the Abbott and Costello one). NOTHING can top Basil Rathbone's frenzied, wild-eyed performance as Wolf von Frankenstein as he goes over the top once he discovers that, yes, his dad was capable of doing the unthinkable.

To my eye, the second most memorable thing about the film is the setting which includes a very bizarre and angular central hall (torture chamber school of interior design) in a home purporting to be a place where the Frankenstein family will raise their young son (who, by the way, has a Southern accent - don't ask, I have no clue). Third most memorable is the Frankenstein monster himself, played by Karloff as he skulks about behind the walls of the castle, gleefully kept in check by Ygor (Bela Lugosi) who uses him as a revenge tool to do away with the members of a jury which condemned him (Ygor) to death by hanging. A hanging which, obviously, didn't take.

Anyway, LOVE this movie which also features an enormously engaging performance by Lionel Atwill as Inspector Krogh, a dogged policeman with a wooden arm. My review.

3) CAT PEOPLE (1942) a Val Lewton film directed by Jacques Tourneur, starring Simone Simon, Kent Smith and Tom Conway. LOVE this movie most especially for the fabulous camera work and menacing atmosphere. Almost everything that happens here happens in our imagination, THAT'S why this is such a frightening film.

There's very little excess of anything, except that you KNOW something is percolating beneath the surface and when oh when will it spring out and grab you. See, there's this young Serbian woman (beautiful in a cat-like way, of course and played by the always slightly off kilter Simone Simon) that believes she is descendant from a race of people who turn into cats when angry or sexually aroused (though of course that is not mentioned explicitly). We first meet Irena at the zoo where she is sketching a black panther unhappily pacing back and forth in a cage in the old fashioned way of zoos. The film takes place in some mid-western American town, far as I can tell.

Along comes Oliver, played by the always hapless and clueless Kent Smith, and of course he falls in love with Irena. And before he has a chance to realize that maybe this is not such a great idea (Irena's strange beliefs for one), they're married. Soon though, cracks develop in the happy facade of connubial bliss.

Irena, it turns out, has a real problem with jealousy. She fixates on her hubby's co-worker, the equally hapless Jane Randolph as Alice, whom Oliver likes to confide in. Naturally enough, this doesn't go down well with the new bride. And before you know it, all manner of strangeness is lurking about in the shadows. The frightening swimming pool scene alone is worth the price of admission.

Desperate for help, Irena consults the sleaziest psychiatrist in the history of film, Dr. Judd, played by the perennially unsavory Tom Conway. And well, things go even more downhill from there.

I know I reviewed this film somewhere on my blog, but darn if I can find it.

4) THE WOLF MAN (1941) starring Lon Chaney Jr., Claude Rains, Maria Ouspenskaya, Warren William, Bela Lugosi, Patric Knowles and Ralph Bellamy. A great cast well directed by George Waggner. When I was a kid we always referred to Lon Chaney Jr. as Larry 'Wolfman' Talbot no matter what movie he was in. Anyway, this is the film that brought him eternal fame. Though of course, his dad was an even more famous silent film actor and creator of monsters on his own.

Long story short: Lawrence Talbot returns home to Wales to reconcile with his dad played by Claude Rains. I'm sorry, but in no universe that I know of is Claude Rains physically applicable as the father of Lon Chaney, Jr. No way. No how. Plus Rains has some kind of English accent and son Larry speaks pure American. But what the heck, let's move forward to the good stuff.

Before you can roll your eyes, Larry has spied a pretty girl in the local village. Her name is Gwen and she runs an antique shop. Larry buys a cane with - coincidentally - a silver wolf's head from Gwen, just to strike up a conversation. Later, in the dead of night, he is set upon by a 'wolf' in the woods whereupon he beats off the creature with his new wolf's head cane. Unfortunately, not before he is bitten. Uh-oh.

Soon several people are attacked and killed and of course nobody believes Larry when he confesses to being a wolf man. "It's all in your head." However, the local gypsy woman, played by the always wonderful Maria Ouspenskaya knows all and warns Larry that he is doomed. (Or words to that effect.)

In between there's lots of creepy stuff and wolfian transformations and lurking about in the shadows. Great stuff.

A terrific film and the best of the Wolf man series before the whole thing became a kind of gag.

5) THE LEOPARD MAN (1943) Another Val Lewton creepy-fest, again directed by Jacques Tourneur, this time starring Dennis O'Keefe (I know - huh?) and Margo, the actress with one name. The screenplay is based on a story by Cornell Woolrich, which is kind of interesting in and of itself.

No, Dennis O'Keefe doesn't turn into a leopard. Get that out of your mind right away. It's kind of a deceptive title when you think about it, but maybe they wanted to give their intended audience an immediate mental image.

Anyway, the setting is a town in New Mexico which sports a nightclub which sports an act which features a real live leopard. Dennis O'Keefe is the guy whose brilliant idea this was. Sure enough, the leopard (more a panther) escapes and begins ravaging the countryside. Or does he?

When several people are mauled, the obvious conclusion is that the leopard did it. Well, I mean, stands to reason. But soon enough, it's obvious that the poor cat is getting a bum rap. Well, except for the first attack in which a young girl is killed in one of the most frightening film sequences I've ever seen. So much so, that when I was a kid, I spent years afraid to watch this film again precisely because of this sequence - it scared me to death.  And yet, if you ask, well what did they show, Yvette, that scared you so much?

My answer: Some blood yes, but that's about it. (It's where the blood shows up that impacts.) In the scene we do not see the cat at all. We just hear it as it chases the victim down and...well, I won't spoil it for you guys who may be unfamiliar with it. And probably you won't think all that much of the scene, inured as most of us are by the unchecked blood and guts of later films. I will say this, I've yet to see anything as frightening, made more so by the fact that most of it happens (except for the sound effects) in our imagination.

A so/so film worth finding and watching just for this scene alone. Oh, and also if you like films about a serial killer who gets turned on by a leopard attack. Hey, it takes all kinds.