Saturday, December 10, 2011

Saturday Salon: A Favorite Painting or Two...or Three!

The Soda Fountain

Family Group

Sledding in the Park

Children Roller Skating

May Day

Cape Cod Pier

East Point Gloucester


Two In A Garden

The Bandstand

The Raft


Chez Bouquin


Miss Olga D.

Girl in a Red Dress

The Conservatory - Lenna and her mother.

Woman In A Blue Hat

Portrait Study


Natalie in a Blue Skirt.

Four Fruits

Bouquet Against Yellow Wallpaper

Bowl of Flowers

Flowers in A Blue Vase

Flowers on A Garden Chair

Still Life With Three Glasses

William Glackens (1870 - 1938) was an American painter and illustrator born in Philadelphia, Pa. He was co-founder of the 'Ashcan School' Art Movement, a group of eight painters who chose to exhibit un-juried work after being rejected by the National Academy. The subject matter of their paintings were often street scenes featuring city life. Everyday people at work or play.

Their exhibition in 1908 met with public approval and the paintings were sent on tour, curated by John Sloan. The eight are considered leading lights in the realist movement.

Painters like John Sloan, Robert Henri and Glackens studied and worked together, and of course, each felt the others influence. Glackens traveled to Europe in 1895 with a group of fellow painters, among them Sloan and Henri. He didn't attend school there, but painted independently.

Later in life, Glackens returned often to France, to paint and study the work of the Impressionists and Post Impressionists. His work took him away from the 'ashcan' movement he'd helped co-found. His paintings from those years show the much more colorful influence of Renoir.

Glackens became known for his portraits and later, for his still life work. If I had to choose only five paintings to take with me to a desert island, then Glackens'  Still Life with Three Glasses would probably be one of them.

To read more about William Glackens, please use this link.

William Glackens - Self Portrait

Friday, December 9, 2011

Foreign Film Poster Friday


It's still Friday - right? Here's my Friday Foreign Film Poster.
ARSENIC AND OLD LACE in German.

A Museum Exhibition: The Art of American Illustrator Ezra Jack Keats (1916 - 1983)



Manhattan's Jewish Museum is currently running an exhibition featuring the ground-breaking work of Ezra Jack Keats, children's book illustrator and painter. The exhibition is open until January 29th, 2012.

Keats, who'd changed his name from Katz, in the not too Jewish friendly atmosphere of mid-century America, was a brilliant exponent of collage and paint. He was the author/illustrator of the revolutionary Caldecott Medal winner: A SNOWY DAY and many other wonderful child and adult friendly books.


My 10 year old daughter (at the time) and I were very fortunate enough to meet Mr. Keats (such a nice man) at a Book Expo event many years ago. He signed a poster for us and I still have it. Framed, of course.


To learn about Ezra Jack Keats' life and work, please use this link.

To find out about The Jewish Museum Exhibition of Keats' work, please link here.



Friday's Forgotten Books: How To Be A Bad Birdwatcher by Simon Barnes


Friday is Forgotten Book day at Patti Nase Abbott's blog, PATTINASE. Don't forget to take a looksee at what other forgotten books other bloggers are talking about today.

My choice for today:

How to Be a (BAD) Birdwatcher (2005) by Simon Barnes

Barnes is the award-winning chief sportswriter for the London Times and author of many books, including several on wildlife and three novels. He is also a much admired though not uncontroversial columnist for Birds magazine, a publication of the Royal Society for the Protection of Birds. So, the guy certainly has his bird-watching credentials - if any are needed.

I’d never heard of him until I picked up this little book (a mere 220 pages or so) a while back and, bemused by the title, began reading. Barnes is that rare thing, a man who loves the natural world and can write about it without being icky-sticky.

Early on, he explains exactly what he means by ‘bad birdwatcher,’ and I leave it to the reader to discover this on his or her own. It is a delightful take on the sometimes deadly serious world of birders who trudge about the countryside with their wellies, notebooks and binoculars looking to score one on the competition.

“Mad collectors are all very well.” As Miss Jean Brodie said, “…for those who like that sort of thing, that is the sort of thing they like”. So let us leave the collectors on one side for the moment. The point of bird watching is not birdwatchers but birds. Birds have always been part of human life; not just as things to eat, but as part of the way we see and understand the world.”

 Well of course, but rarely have I seen it explained so simply and so to the point. Barnes has a knack for stating the obvious as though it’s never been stated before and making you stop and think about a point as though it were new.

 “But before the understanding comes the wonder. Comes the delight. And that is the first aim of being a bad birdwatcher: the calm delight of the utterly normal, and the rare and sudden delight of the utterly unexpected.”

 Barnes doesn’t want us to forget the delight. He has a calm British way with words that is quite winning and makes you want to go hang out with him on one of his birding expeditions, accidental or otherwise.

 Eventually, you realize that what Barnes is talking about is not necessarily ‘birds’ per se, what he’s actually rhapsodizing about is life in all its glories -  personalized here by these  feathered descendants of dinosaurs.

 “There is a myth about evolution: that evolution is a search for perfection. It is one of humankind’s great self-glorifying misunderstandings, for guess which species always seems to embody that perfection – the paragon of animals, noble in reason, infinite in faculty? Yes, the whole point of evolution is you and me. Vast suns whirling through space, spinning planets, the collision of asteroids, the primordial soup, the rise and fall of the dinosaurs: all of it was planned and preordained in order to produce me, writing a book about birds, and you looking through the window at the bird feeder and wondering why the blood doesn’t rush to the head of the chickadee as he hands upside down on the feeder.

That is the myth. But there is a real story of evolution that is much grander, much bigger, wider and higher – and infinitely more glorious. No one can say that a man is better than an Arctic tern – a bird that spends every Northern Hemisphere summer in the Arctic and every Southern Hemisphere summer in the Antarctic, commuting the entire length of the globe to live a life of almost perpetual sunshine. What human could do that/ Or want to?

 No: evolution – life – isn’t looking for perfection; it is looking for survival, and life has come up with uncountable millions of survival plans. Each species has a different plan, and they all work. The summit of evolution is the arctic tern, or the wood louse, or the blue whale, or the brown rat.”

I suppose it’s a wonderful boost to the ego to read a book that bolsters what you’ve always believed but had never put into words yourself. So you can imagine my delight when I read these words and why this review today is more unabashed fan letter than anything else.

 Barnes also talks about trips he’s taken with friends and family to outposts around the world:

 “I took my father to Luangwa also.  (In Zambia)  He came for a fortnight; I was in the middle of a two month sabbatical. It was shortly after my mother died; deeply healing it was, to be surrounded by such abundance of life, by such weeds, such wilderness.

 At times I would slip out of camp and sit in the ebony glade, back to a tree, still, silent. After ten minutes this gets boring; after twenty minutes you never want to move. And I became invisible. I became another part of the forest. I had long-tailed glossy starlings going through the leaf litter within pecking distance of my Timberlands; once a warthog and hoglets just beyond touching distance; once a male bushbuck I could have stroked had I wished. Well, I did wish, but I had the good manners to refrain.”

 See what I mean? So restrained, yet so perfectly beautiful. How could you not want to know more about this guy’s take on the world we all inhabit.

I think I’m in love.

Note: This would be a wonderful Christmas token for any bird-lover, nature-lover, lover of fine writing, on your list. There's a new edition with a redesigned cover available.

Thursday, December 8, 2011

So You Think You Know Your Vintage Mysteries?


Over at PRETTY SINISTER BOOKS, a very intriguing vintage (mostly) mystery blog, John has finally taken the Trivia Challenge plunge. AND there are some very nice book prizes to go along with the correct answers to John's questions.

Of course, except for the few easy ones, the rest were an absolute blank to me. I'm learning daily that I know next to nothing about vintage books - tres embarrassante.

So, head on over to John's blog and see if you can do any better than me. Who knows? You might win some vintage goodies.


Five Books that SHOULD be turned into films - and how I'd cast them.


**************

1) THE BEEKEEPER'S APPRENTICE by Laurie R. King

In brief, the story of how Sherlock Holmes - in semi-retirement on the Sussex Downs - came to meet an equally brilliant fifteen year old girl who eventually morphed into his apprentice and more.

Sherlock Holmes: Jeremy Irons

Mary Russell: Emma Watson

**********************************

2) CROCODILE ON THE SANDBANK by Elizabeth Peters

A Victorian spinster of suddenly independent means (and managing ways) travels to Egypt and falls in love with the Pyramids and an irascible madman archaeologist in this funny take on H. Rider Haggard's adventurous yarns.


Amelia Peabody: Helena Bonham Carter


Radcliffe Emerson: Hugh Jackman 

***************************

3) AGENT ZIGZAG by Ben MacIntyre

The incredible true story of small time British crook, Eddie Chapman, who became one of the most notorious double agents in World War II.

Eddie Chapman: Ben Chaplin

**********************

4) THE WEED THAT STRINGS THE HANGMAN'S BAG by Alan Bradley

The second book in the series that brought us the delightful science prodigy, 11 year old Flavia deLuce and her adventures in crime solving set in the British countryside of the 1950's.

Flavia deLuce: Maisie Williams

Inspector Hewitt: Jim Broadbent

Havilland deLuce (Flavia's stamp collecting, heartbroken widower father): Paul McGann

****************************


5) MISTRESS OF THE ART OF DEATH by Arianna Franklin

In 12th century Britain, King Henry sends an Italian 'mistress of the art of death' (a doctor specializing in forensics - trained at a medical school in Salerno) to discover the cause of death of several children. She must give the medical credit to her Muslim 'servant' Mansur, a eunuch, else she be taken for a witch in the backward island country that is England.

Adelia Aguilar: Gemma Atherton

Sir Rowley, tax collector, lover of Adelia and eventual Archbishop: Karl Urban

Mansur: Colin Salmon

**************************

So, what do you think? Am I far off? If you're not familiar with these particular books, then cast your own favorites.